Micaela K. Baranello
Affiliation confirmed via AI analysis of OpenAlex, ORCID, and web sources.
Assistant Professor, Temple University
Also affiliated: Princeton University (2015); Smith College (2016)
Formerly Arkansas Assistant Professor, University of Arkansas through 2023; now Assistant Professor, Temple University.
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Biography and Research Information
OverviewAI-generated summary
Micaela K. Baranello's research focuses on the study of operetta, particularly Viennese popular music theater and its connection to Austrian identity between 1900 and 1930. Her work examines the historical context and cultural significance of operettas, including specific analyses of works like Franz Lehár's "Friederike" and "Die lustige Witwe." Baranello has explored how these musical theater forms contributed to the creation of cultural eras, such as the "Silver Age of Viennese Operetta," and how they reflected or shaped societal perceptions, including discussions of "Weimar Middlebrow Culture." Her scholarship also addresses contemporary issues within her field, as evidenced by her contributions to discussions on sexual violence in opera and the development of operetta scholarship and pedagogy.
Baranello has authored or co-authored numerous publications on operetta and related musical theater topics. Her academic output includes books and articles that delve into the historical development, thematic content, and cultural impact of this genre. Her scholarly contributions have been recognized through a citation count of 154 and an h-index of 5, reflecting engagement with her research within the academic community. She has published 24 works to date.
Metrics
- h-index: 5
- Publications: 32
- Citations: 156
Positions
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Assistant Professor 2023–presentTemple University Music Studies ORCID
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Assistant Professor until 2023University of Arkansas Music ORCID
Selected Publications
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Franz Lehár's Friederike as Weimar Middlebrow Culture (2023)
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“Operettendämmerung”: Die lustigen Nibelungen and the Failures of Wagnerian Operetta (2017)
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