Alani Hicks-Bartlett Source Confirmed

Affiliation confirmed via AI analysis of OpenAlex, ORCID, and web sources.

Researcher

John Brown University

faculty

2 h-index 28 pubs 8 cited

Research Areas

Renaissance Literature and Culture Renaissance and Early Modern Studies Early Modern Spanish Literature Medieval Literature and History Spanish Literature and Culture Studies

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OverviewAI-generated summary

Alani Hicks-Bartlett is a faculty member at John Brown University whose scholarship encompasses a range of topics within Renaissance and Early Modern Studies. Her work engages with both literary and cultural contexts, extending from Medieval texts to Early Modern Spanish Literature. Hicks-Bartlett's research explores themes of vision and loss in Renaissance epic poetry, as seen in her analysis of Tasso's *Gerusalemme liberata*. She also investigates corporeal and emotional responses to war in the works of Christine de Pizan. Her contributions to Spanish literature and culture studies include examinations of irony in the poetry of Luis Palés Matos. Additionally, Hicks-Bartlett has explored the intersection of classical mythology and medieval literature through an analysis of the Pygmalion narrative in both Ovid and the *Roman de la Rose*. Her research also considers Petrarch commentary and exegesis in Renaissance Italy.

Her primary research interests include Renaissance literature and culture, with a particular focus on Spanish and Medieval literary traditions.

Metrics

  • h-index: 2
  • Publications: 28
  • Citations: 8

Selected Publications

  • “Que de fame ait cors, ame et vie”: Authorial Manipulation and the Matter of Pygmalion in the <i>Roman de la Rose</i> and Ovid’s <i>Metamorphoses</i> (2025) DOI
  • Petrarch Commentary and Exegesis in Renaissance Italy and Beyond: Materiality, Paratexts and Interpretive Strategies (2024) DOI
  • Theorizing the Palimpsest: Liberatory Modalities in Imani Perry’s <i>Vexy Thing</i> and Marie de France (2024) DOI
  • <scp>De Armas, Frederick A</scp>. <i>Cervantes’ Architectures: The Dangers Outside</i> (2024) DOI
  • “Quanto dovea parergli il dubio buono”: On Doubt, Fidelity Tests, and the Marriage Plot in Ariosto's Orlando furioso (2023) DOI
  • On the Gaze and “gl’idoli altrui”: Vision and Loss in Tasso’s <i>Gerusalemme liberata</i> (2023) DOI
  • ‘Ou L’art d’amors est tote enclose’: Dreams, Truth and Authorial Reinforcement as ‘Garant’ in Lorris’s <i>Roman de la Rose</i> (2021) DOI

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