Sophia Maxine Farmer Data-verified
Affiliation confirmed via AI analysis of OpenAlex, ORCID, and web sources.
Researcher
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Biography and Research Information
OverviewAI-generated summary
Sophia Maxine Farmer's research focuses on the intersection of art history, visual culture, and historical narratives. Her work investigates how monuments, photography, and art objects are conceived, constructed, and interpreted within specific cultural and political contexts.
Her recent publications explore the colonial conception and Italian construction of the "Monumento ai caduti d’Africa" in Siracusa, the themes of emptiness and landscape in Michael Light's aerial photographs of the American West, and the complexities surrounding Giorgio de Chirico's artwork and a notable 'true-fakes' scandal. Farmer's scholarship contributes to understanding the material and symbolic dimensions of cultural production and reception.
Metrics
- h-index: 1
- Publications: 4
- Citations: 2
Selected Publications
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Transplanting Italo-Africa: The <i>Monumento ai caduti d’Africa</i> at Siracusa from colonial conception to Italian construction (2023)