M. Keith Booker
Affiliation confirmed via AI analysis of OpenAlex, ORCID, and web sources.
Professor
Also affiliated: University of Florida (1987); Arab Open University (2018)
Research Areas
Biomedical Subjects
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Biography and Research Information
OverviewAI-generated summary
M. Keith Booker is a Professor at the University of Arkansas at Fayetteville. His scholarly work primarily focuses on literary criticism and theory, with a particular emphasis on dystopian literature, science fiction, and the analysis of comics and graphic novels. Booker has authored several influential books and encyclopedias within these fields, contributing significantly to the academic understanding of these genres and their cultural impact. His research explores themes of subversion, transgression, and the carnivalesque in modern literature. Metrics indicate a substantial body of work, with 154 total publications and 860 citations, reflected in an h-index of 15.
Metrics
- h-index: 15
- Publications: 177
- Citations: 869
Positions
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Professor publications 1988–2026University of Arkansas at Fayetteville English ORCID
Selected Publications
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“In the Clutches of a Vampire”: Gothic Romance, Pastiche, and the Persistence of Patriarchy in Anna Biller’s Bluebeard’s Castle (2026)
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Environmental Change and Revenge (2025)
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Post-Black, Post-Huck, and Postmodern: The Dialogic Complexity of Percival Everett’s James (2024) (2025)
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Strange Fruit: Menippean Laughter and the Gothic Return of the Past in Percival Everett’s The Trees (2025)
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Don’t Worry Darling: Critiquing the nostalgic cultural logic of late patriarchy (2025)
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Environmental Change and Revenge (2025)
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Renfield: The Vampire’s Undying Assistant (2024)
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Robert Eggers’s The Lighthouse: Art horror, alienated labour and capitalist routinization (2024)
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Patriarchy Then and Now—With a Twist: The Postmodern Horror of Alex Garland’s Men (2024)
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Renfield: The Vampire’s Undying Assistant (2023)
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Ben Wheatley’s In the Earth (2021): Folk Horror as Climate Change Warning (2023)
Collaboration Network
Top Collaborators
- Unreal City: Nostalgia, Authenticity, and Posthumanity in “San Junipero”
- Lost in the funhouse: Allegorical horror and cognitive mapping in Jordan Peele’s Us
- Tayeb Salih and Modernism’s Season of Migration to the South
- Don’t Worry Darling: Critiquing the nostalgic cultural logic of late patriarchy
- Ben Wheatley’s In the Earth (2021): Folk Horror as Climate Change Warning
Showing 5 of 10 shared publications